Sustainability Works
by Kate Bertrand
April 14, 2007
Think green as in nature, green as in sales
Chris Hacker’s
vision is at once simple and complex; it’s the fusion of great design
and sustainability in design. Hacker joined Johnson & Johnson Consumer
Companies last fall as senior vice president of global design and design
strategy to bring that vision to bear on all design aspects of the
company’s consumer brands.
“I have a strong passion around making sure
designers work from a sustainable, environmental point of view. That colors
everything I do,” he says. “I intend to emphasize great design
but also incorporate the sustainability component.”
He says his influence will be felt in the brand
identity and packaging design of heritage brands such as Johnson’s
Baby and Band-Aid adhesive bandages as well as leading skin care brands
such as Aveeno, Clean & Clear and Neutrogena.
In his previous position as the head of marketing and
design at Aveda, Hacker reinforced his commitment to environmentally
friendly, sustainable design.
His work there serves to demonstrate that business
success and sustainable design can support each other, a fact that is often
overlooked: “Environmental sustainability and economic sustainability
are not mutually exclusive,” he says.
In fact, Hacker’s design initiatives at Aveda,
which influenced the look and feel of the company’s packaging, visual
merchandising, advertising and other brand identity components, nearly
tripled sales of Aveda products and lifted the beauty brand from a niche
effort to a substantial player in the beauty care category.
Hacker considers his work at Aveda his greatest
success to date, from both a business and an environmental perspective.
“We went from using 15 percent post-consumer recycled material in our
packaging to using an average of around 80 percent. It was a chance to not
only get the design and branding correct but also to make the packaging
sustainable, which fit the company’s mission.”
Thanks to the efforts of Hacker and his team, Aveda
won the 2004 Smithsonian Cooper-Hewitt National Design Award for corporate
achievement, which recognizes companies that use design as a strategic
business tool.
At Johnson & Johnson, Hacker’s first order
of business has been to create an infrastructure for an internal design
organization—a first for the company. Previously, all design and
branding work had been outsourced.
He currently is managing the creation of a design
studio in New York City, whose focus will be brand identity design for the
full range of marketing applications, including packaging. The company also
has a design center in California, under the Neutrogena name.
Looking to the larger marketplace, Hacker cites Apple
for excellence in package design: “Apple’s packaging is
spectacularly beautiful. It’s so simple and direct, connoting the
emotional power of the Apple brand.” He also gives a nod to a
start-up, Method (a fellow 2006 Brand Innovator, page 6), for its
innovative packaging design.
Reflecting on how his career and vision have evolved
since his early training as an industrial designer, Hacker recognizes the
importance of working as a product designer at J.C. Penney in the early
1970s during a corporate rebranding effort.
During that time, he worked with Cooper Woodring, a
designer Hacker describes as uniquely skilled in changing corporate design
culture.
Hacker also regards Leonard Lauder, The Estée
Lauder Companies’ chairman of the board, as a strong influence. It
was at Estée Lauder that Hacker first delved into package design.
“During my early years in design at
Estée, Leonard Lauder was very present with the process,” he
says. “He brought a holistic understanding of what the brand was, and
what the brand wasn’t, to the table.”
Even earlier, Hacker says, his father and
grandfather had a strong influence on his design education. Both were
successful graphic designers.
Today, it is Hacker who is taking excellent design to
the next level. “My desire is to see designers take on their powerful
role as the arbiters of what needs to be made by thinking about design from
an environmental standpoint,” he says.
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